The second volume is themed around the issue of censorship in dance and will include invited and openly sourced articles, interviews, book reviews, performance reviews, screendance reviews, and photographs. As a digital-only platform, it will include seminal performance excerpts as well, all of which will go through double-blind peer review and selection process. The range of contributions should aim at indicating theoretical, performative, and/ or activist intersections and interstices in South Asian dance. The contributions may hail from all geopolitical contexts where South Asian dance or its variants are practiced, nurtured, or consumed. All images, photographs or footages included, including personal, archival, performance, film, television and “found” footage, must be covered by the terms of copyright as covered in the journal’s ‘Terms of Copyright’ document.
Final deadline: January 31, 2023.