Transformational Power of Theatre of the Opressed with Marginalized Students
DOI:
https://doi.org/10.55370/dsj.v6i1.1313Abstract
A reflective essay on how I came to find Augusto Boal's Theatre of the Oppressed and how it transformed me, my theatre program and ultimately, my students. I introduce how I came to this practice and how I use Boal's techniques and practices in combination with others to create my own theatre pedagogy. I discuss assessments based on a non-traditional rubrics such as self-worth, vulnerability, adaptability, collaboration, creativity, empathy and unity. Finally, I believe this collaborative theatre is a type of social justice in and of itself; it offers a way to radicalize and liberate ourselves from oppressive systems which most of us are constantly boxed into.
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
a. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
b. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
c. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).